NO ONE IS FORGOTTEN
Lali and Beng are held captive.
No one knows where they’ve been taken or if they’re alive. Or, maybe their story has been broadcast to the world?
A story about intimacy, surrender, and the will to live.
“A profoundly devastating play.”
-The New Yorker
“Brisk, well-structured, boldly performed.”
-The New York Times
2f, 85 minutes, No One Is Forgotten Excerpt on NPX
PRODUCTION HISTORY
Premiered at Rattlestick Playwrights Theater, NYC, 2019
Produced by winter miller’s theater company; Directed by Winter Miller
PRESS
Reviews
No One Is Forgotten, The New Yorker, Maya Phillips, July 29, 2019
Two Imprisoned Women Cling to Their Memories, Theatremania, Zachary Stewart, July 12, 2019
2 Women in a Cell, Grasping for Sanity, New York Times, Alexis Soloski July 12, 2019
No One Is Forgotten, Time Out New York, Raven Snook, July 24, 2019
Winter Miller’s No One is Forgotten Imprisons Our Soul, Front Mezz Junkies, Ross, July 19, 2019
Features
Winter Miller Discusses the Political Relevance of Her New Play “No One Is Forgotten,” Women in Hollywood, Holly Rosen Fink, July 19, 2019
Interview: Winter Miller, Playwright of “No One Is Forgotten,” Stagecraft, Jan Simpson, July 20, 2019
How a Planned Rom-Com Transformed Into a Serious Exploration of Captivity, TDF Stages, Carey Purcell, July 9, 2019
Why Wait On Being the Artistic Director of Your Own Work, The Brooklyn Rail, Crystal Skillman, June 2019
A Breakdown of What It Costs to Produce an Off-Broadway Play, Playbill, Olivia Clement, July 7, 2019
Interview: Winter Miller on How to Keep Journalists Safe (with Some Help From Your Cat), Sean Douglass, July 7, 2019
Interview: Winter Miller on How to Keep Journalists Safe...,The Plot: Conversations on Writing, Sean Douglass, July 7, 2019
What Would You Do? Greenfield Recorder, Anita Fritz, September 17, 2019
“Completely riveting. Harrowing. And funny.”
-Cynthia Nixon
“Unexpectedly hilarious.”
-Samantha Bee
“A real tour de force.”
-Gloria Steinem
Banner Image: Pictured Renata Friedman (left) and Sarah Nina Hayon. Photo by Paula Court.